It’s a theme that makes for some powerful songs that purge the emotion of a man who is almost frustrated with what his love life has become. I understand the compulsion to have a cohesive theme on an album. Adele did it with 21 and its theme of scorned love and Arcade Fire had The Suburbs’ theme of regret and wasted youth, but Sam Smith decides to go with the hopeless yearning and complaints of unrequited love. However, the rest of the album doesn’t hold up to its fantastic opening. I think it’s Smith’s defining song on the album and of him as an artist.
The neat production by Two Inch Punch and Smith’s punchy vocals make for a compelling song about denouncing the entire music industry structure from writing for taste or being a puppet to the industry. It’s reminiscent of a song off of Disclosure’s Settle. It treads along the line of a new string of artists condemning the luxurious lifestyle that has swept the industry. “Money on My Mind” is such a strong start to the album and probably one of the best of the album. However, my biggest issues with the album are rooted in the music itself. His contributions to “Latch ” and Naughty Boy’s “La La La” are invaluable, but I think that they are put to best use in this album. He has been on my radar since I discovered him through Disclosure’s single “Latch.” There’s no denying that he has a phenomenal and unique voice that should be capitalized on. Album DescriptionThere was one thing on my mind when I first listened through Sam Smith’s debut album “In the Lonely Hour” and that was Adele. See More Your browser does not support the audio element.
℗ 2014 Capitol Records, a division of Universal Music Operations Limited, Mit freundlicher Genehmigung: Universal Music Group, Inc. Recording Engineer, StudioPersonnel - Darren Heelis, Bass Guitar, Assistant Mixer, AssociatedPerformer, StudioPersonnel - William Phillips, Organ, Piano, AssociatedPerformer, ComposerLyricist - Sam Smith, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jimmy Napes, Producer, Drums, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Jodi Milliner, Bass Guitar, AssociatedPerformer - Sylvester Earl Harvin, Drums, Percussion, AssociatedPerformer Recording Engineer, StudioPersonnel - Jeff Lynne, ComposerLyricist - Tom Petty, ComposerLyricist - James Napier, ComposerLyricist - Jeremy Murphy, Asst. Rodney Jerkins, Producer - Simon Hale, String Arranger, AssociatedPerformer - Steve Price, Recording Engineer, StudioPersonnel - Everton Nelson, Strings, AssociatedPerformer - Tom Coyne, Mastering Engineer, StudioPersonnel - Steve Fitzmaurice, Producer, Mixer, Programmer, Recording Engineer, Drum Programming, AssociatedPerformer, StudioPersonnel - Mike Horner, Asst. This is an understated and promising first step from an unpredictable and distinctive talent. If Smith didn't have such a remarkable voice, they could stay busy composing songs for artists in several genres the anthemic "Like I Can" could be easily adapted for a contemporary country singer, while a few others could be turned over to young pop artists in need of material that makes them sound more human. That puts all the more focus on Smith's voice and words, the latter of which switch between borderline maudlin ("What use is money when you need someone to hold?") and disarmingly brazen ("Just leave your lover, leave him for me"). The dominance of stripped-down backdrops - some with merely piano, acoustic guitar, and conservative strings - is somewhat surprising. Much more about mourning than movement here, Smith is bold for not attempting to capitalize on the Disclosure and Naughty Boy hits.
Deep sorrow informs most of the material. Those three solo singles are here, along with seven new songs that tend to cast Smith as a heartbroken balladeer. They preceded the release of In the Lonely Hour, the singer and songwriter's debut album. "Money on My Mind," an upbeat statement of purpose more about the soul than the heart, and "Stay with Me," a torch song with a gospel-inspired chorus, were Smith's second and third solo singles. It was quickly eclipsed by a lead role on Naughty Boy's "La La La," a breakbeat-driven tearjerker that went to number one in the U.K. Early 2013 brought their debut solo single, "Lay Me Down" - an aching singer/songwriter-soul throwback that scraped the U.K. Smith grew up listening to R&B giants Chaka Khan, Luther Vandross, and Whitney Houston, but their first impression was unique, not merely for the richness of their voice, but its resoundingly expressive yet naturally delivered manner - on a level most singers can't match with maximum effort. hit in 2012, introduced Sam Smith, a London-born vocalist with a deeply emotive voice. Buy the album Starting at $15.09ĭisclosure's loping dance-pop single "Latch," a number 11 U.K.
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